100% Royalty Free. Unlimited rights for the useage of content in a commercial environment: i.e. CD oder DVD sales, in motion pictures, or through digital downloads and streaming services. Reselling content itself (either directly or indirectly) is prohibited.
The following special conditions of use apply to this license.
combines the latest Volumes from this series into a staggering 3 GB+ collection of dark and twisted content.
You'll find a vast number of jittery grooves, crispy guitars, epic synths, heavy drums and evolving FX, perfect for use in both mainstream and more eclectic styles.
The Ambient Glitch series introduces producers to some of the darkest, most cutting-edge atmospheric sounds, yet to be heard in a sample pack.
Now, with this bundle you can own the final three Volumes. Includes 3 GB+ of highly original and inspiring Glitch content created by expert sound designer and sound designer, Jeff Rhodes.
Each volume contains a variety of 100% Royalty-Free loops that are sensibly and intuitively organized into categories such as:
Taking influence from his years of professional sound design experience as well as his love for visual arts, the resulting sound is highly useable in anything from Trip Hop, Dubstep and Industrial right through to soundtrack and game music.
About the Producer:
Jeff Rhodes has been working as a professional sound designer and soundtrack producer for just over a decade now. He is particularly well-known for his three "Pro Sessions" loop libraries that were released through M-Audio. He has also released another six products independently with Todd Milne, with whom he co-founded Perimeter Sound Arts.
Jeff relies on his diverse interests in not only music & audio, but the visual arts too, to guide his muse. Constantly looking to change his style/sound without losing the defining elements, Jeff has found working in audio to be an endless journey of discovery.
The Production Process:
Jeff Rhodes, producer of "Ambient Glitch", describes the production process:
"Fascinated equally with sound, as well as with musical compositions, heavy/glitchy/industrial/lo-fi type material was of great interest to me. By learning to use 'Bit crushing' techniques, instead of just distortion, "improper" use of beat choppers to get a more lo-fi sound, and even learning to overuse compression as an effect, I was able to put together what you hear in this sample pack.
Ultimately, combining it all, along with some weird artifact-like percussion, and some stuttery repeats, I was able to harness some of that elusive glitch power. To me, Glitch doesn't have to be dizzying and headache-inducing at every step, sometimes it's just a little quirky, organic - yet a little unsettling. But in the end, it need not get in the way of the actual mood being portrayed, or the music being made."
Please note, no additional material was used in the MP3 demos and no effects were added to the parts. They have been left dry to give you a real indication of what's included and the kind of tracks you can make using this material.